Archives for posts with tag: Sochi
Hot. Cool. Meh.

Hot. Cool. Meh.

The evocative name of this building at the Sochi Olympics is one of the more unique. Icebergs command attention; they are powerful and beautiful to behold. They also suggest passing grandeur, so I hope the public still has access to it post-Games, unlike Beijing’s Bird’s Nest, which sits empty, even abandoned.

“Iceberg” means well. A tip of the berg for being short, fun to say and easy to remember, but it’s suggestively off. You see, this structure is shades of blue, and more so when lit up at night. Glaciers are blue due to the lack of air in their creeping shelves. In contrast, icebergs — full of tiny air bubbles — are mostly white, as the bubbles’ surfaces reflect light. The blue-ish streaks in an iceberg represent crevasse-filling meltwater that’s refrozen. Air-tight vs. air-light. Similarly, roughly 90% of an iceberg is under water, yet the home of the latest skategate appears largely above-surface. The venue would be better verbally-grounded if more of it had been recessed into the earth.

Which brings me to…if this is an iceberg, what type is it? The terminology of some of the sizes and shapes of these frozen masses are cool. I have seen smaller ones — growlers and bergy bits — in Chile. Shape-wise, the Skating Palace looks like a hybrid: “tabular” for its crew-cut and horizontal banding and “blocky” for the steep sides.

Here’s where the Russians missed. U-shaped bergs, with the bottom of the “U” reaching almost to or at water level and cradled or book-ended by sky-reaching spires, are referred to as “dry-docked.” Considering the lack of natural precipitation at seaside Sochi, officials there could have thrown down some serious naming with “The Drydock” for the half-pipe.

At least they didn’t resort to calling the palace the “Sea-Hill.” Such was the synonym for calved glaciers in the late 17th century. I’m not sure how long that term floated around, but the partially Anglicized Dutch loanword for “ice mountain” obviously got more points for style back then and thus is still in play.

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Knitmare!

Knitmare!

Most of the Olympic athletes and delegates tonight sported street-smart winter gear. A lot of it will be wearable after the games. Not so the tacky garb of Team USA. A good thing they were on the back-end of the parade of nations. It was no great feat to see how hideous those über-busy sweaters are. Hide, USA! Outside the secure area, they make for easy targets. Despite the fact that the cardigans are supposedly sold out, I can’t imagine them having any long-term aftermarket value. They won’t last, for one. The boots, on the other hand, look nice.

Is it an uncanny coincidence that this fashion faux pax is a metaphor for how fragmented this country has become? The cardy is a granny quilt of feuding red and blue states squares and poorly placed verbal messaging. Has anyone counted the stars, or are they just filler? Our uniform was a chance for us to shine for two weeks. Instead, the US Olympic Committee sacrificed our brand to another big ego.

Fair warning. Taking the gold for poor execution, and embarrassing us along the way, is the self-absorbed Mr. Lauren himself. If only certain decision-makers had done some due diligence, they would have come across an October 2000 Dale Boss story about the man and his empire. Quoting Ralph: “I’ve been a big hero in this industry, and I like being a big hero.”

Made in the United States. The USOC should have selected a new designer to outfit this Olympiad’s competitors. Ralph Lauren had his chance — two, in fact — in Vancouver’s 2010 Winter Games and in Beijing’s 2008 Summer Olympics, He and his company blew both, showing everyone his lack of patriotism by choosing earnings over authenticity. Commerce over craft. Profit over pride of country. There was quite the public outcry when it was revealed that some (perhaps all?) of the official 2010 clothing was, in fact, manufactured in China.

New blood needed. As this global event so often launches athletes into stardom, the USOC could have gotten into the spirit and had the same effect by jumpstarting an aspiring artist’s career. The US has many young, yet sufficiently established designers who could have seamlessly delivered. Style, that is. Context-current, up-and-coming craftspeople who would not have taken the honor for granted. Alternatively, the The North Faces, Nikes and Patagonias could have produced something tasteful and desirable. If the USOC really wanted to get people excited about sports and attract new generations of participants and viewers, they would have signed on a Bruno Mars. Instead, what can only be aging members went with the obvious. It showed, and we deserve better.

Polo, formerly called America. As if the choice of designer weren’t bad enough, the design itself chokes. It looks committee-driven; no consensus could be reached, so a mash-up it is. The Polo word mark on the lapel is over and above the USA. In close-up shots of the athletes, that’s all you see, with part of “USA” tucked in the armpit. This placement says it all about what Mr. Lauren thinks of himself. On no other team’s outerwear did a clothing brand compete with the country name. If I didn’t know any better, I would have thought that Polo was a country. In 2010, things were better in that the Polo brand mark, the polo player, was blazer front and off-center (too far off). That alone should have been a red flag.

Off-fabric. Please…, cotton turtlenecks? I bet the bulky sweaters are also cotton. There are so many technical and new wool fabrics out there to keep you warm and looking good. Thin layering devices that perform!

Nice departures. Of note: some countries (France, Germany, Iran, Japan, Latvia, Lithuania and New Zealand) whose jackets and pants had nothing to do with their flag color. The Japanese carried small Russian and Japanese flags. And looks like the Russian women got to pick between red, white and blue parkas! Tonga’s coats-as-canvas combined the vertically placed flag along with an ocean and palm background. Well done!

Go USA!

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